A little over a week has passed since the
Austin SCBWI conference, enough time for me to mull it all over, and I'd like to share a few thoughts. First off,
a shout-out to my friend and conference buddy, Marsha Riti, who won the top prize for her portfolio. She is one of the most talented and hard-working illustrators I know, with a style that's fresh while it has the warmth and charm of vintage children's books. And you can read about her take on the conference
here. Congratulations again, Marsha!
Okay, my highlights from the conference:
- Friday night, after some socializing, we gathered for some book readings. My favorite was Carolyn Coman's performance of her story The Memory Bank, accompanied by wonderful rough drawings that brought this alternate world to life.
- Saturday morning, Arthur Levine and Julian Hector discussed the author/illustrator relationship for Monday is One Day. Since they had only met in person the night before, there were discoveries made LIVE, right on stage. Kind of exciting and made for some funny banter. And, despite Levine being such a huge name in the industry as an editor, he was as heartwarmed as any first-time author upon seeing his work in print. Plus, it seems like he went out of his way not to have on his editor's hat in this process. Julian Hector showed his sketches and the transition of the book from the dreamy story of one father and son to the story of several diverse family groups.
- David Diaz (he of the Caldecott for Smoky Night) presented a series of handmade books he has made over the years as promos. In this age of quick email links and easily ordered postcards, making something "precious" that an Art Director won't be able to bring him or herself to throw away is genius. Diaz' books are handbound collections of his xeroxed illustrations, found paper, lines of text, and whatever else might work and be cost-efficient; but they are visually and texturally appealing gems. So, do make something handmade or unique in your style that catches the eye of an AD; don't forget that this is marketing, so find ways to keep the cost in your budget.
- Saturday afternoon, Julian Hector spent an hour showing his drawings and projects to a small but packed room of illustrators. Some were children's book related, like the behind-the-scenes on a book that's currently in progress. Interesting to see editor and fact checker notes on visual consistency and the like. He also showed us some of his grown-up work, insect and rodent characters not too unlike his children's characters, but less sweet (the bugs are definitely less huggable). And the story lines have a good dose of dark humor (think Gorey). It was quite a treat for us to look into the sketchbooks of such a talented and productive illustrator!
The SCBWI organizers did a great job on the conference, and St. Edward's University was a pretty awesome venue. Thanks!
Now, what I took away from the conference. I have been to my fair share of SCBWI conferences since I started trying my hand at illustration in 2006: a couple of local ones, a couple of LA summer ones, and a couple of winter NYC ones. I've been asked before if the cost is worth it for an illustrator, especially for the national conferences. And it all depends on what you expect to get out of the experience. If you expect to walk away recognized by all the big guns for your work, illustration contract in hand, well, the chances aren't so great for that (a gal can still dream...). But
if you want to be inspired by the work of colleagues and by industry leaders, if you want to learn valuable information on the business of children's book illustration (understanding this is crucial to success), if you want feedback on your work, then these conferences are gold. And it can take a few to really absorb it all.
Now I feel like I have gotten a good feel for the industry and some positive feedback on my work. So,
my post-conference focus is marketing: website, postcards, handmade something-or-others. Because sometimes you just have to be proactive and go after the work you want.
So, I had this idea several months ago that illustrated nesting dolls might be a fun project to do as a silent auction donation for the upcoming SCBWI Austin Conference. A couple of other illustrators decided to take on the challenge, too (you can see an adorable set by the talented Marsha Riti here).
Things with my set started off promising enough. The robin and the key were a pretty straightforward choice with The Secret Garden theme (one of my favorite books). The largest nesting doll, which is the garden in bloom, ended up being the most challenging.
After ditching the randomly placed flowers I pencilled in, I decided to use a lamp from my grandmother as an inspiration point. I went on to repaint sections of this doll at least 4 times. Lesson: opaque acrylic craft paint is nothing like watercolor and wants to clump up on your brush any chance it gets.
Above you can see the attempt at translating a 2-D sketch onto a 3-D object.
And the completed set, after two full afternoon sessions and lots of revisiting. This was taken just before they got their clear coat, which made them look super-glossy like real nesting dolls! They're drying for the next 24 hours, and I hope to post some photos of the final set before conference. Overall lesson: while these did turn out to be fun, they would have been even more fun if I had built in a little more learning curve time.
